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Download The poetry of Louise Glück : a thematic introduction by Glück, Louise; Morris, Daniel; Gluck, Louise PDF

By Glück, Louise; Morris, Daniel; Gluck, Louise

 

A dominant determine in American poetry for greater than thirty-five years, Louise Glück has been the recipient of just about each significant poetry award and was once named U.S. poet laureate for 2003–2004. In a brand new full-length learn of her paintings, Daniel Morris explores how this prolific poet makes use of mask of characters from background, the Bible, or even fairy tales.
            Morris treats Glück’s chronic themes—desire, starvation, trauma, survival—through shut analyzing of her significant book-length sequences from the Nineteen Nineties: Ararat, Meadowlands, and The Wild Iris. an extra bankruptcy dedicated to The condominium on Marshland (1975) indicates how its revision of Romanticism and nature poetry expected those later works. Seeing Glück’s poems as complicated analyses of the authorial self through sustained primary metaphors, Morris reads her poetry opposed to a story development that shifts from the tones of anger, melancholy, and resentment present in her early Firstborn to the resignation of Ararat—and proceeds in her most recent volumes, including Vita Nova and Averno, towards an ambivalent include of embodied life.
By displaying how Glück’s poems can be learn as a kind of remark at the meanings of significant literature and fantasy, Morris emphasizes her irreverent angle towards the canons during which she either expresses herself and deflects her autobiographical impulse. by means of discussing her feel of self, of Judaism, and of the poetic culture, he explores her place as a mystic poet with an ambivalent dating to non secular discourse verging on Gnosticism, with trends towards the traditional rabbinic midrash culture of examining scripture. He rather indicates how her artistic studying of earlier poets expresses her imaginative and prescient of Judaism as a manner of considering canonical texts.
            The Poetry of Louise Glück is a necessary examine of ways poems will be learn as a sort of observation at the meanings of significant literature and fable. It in actual fact demonstrates that, via this lens of observation, you can take hold of extra firmly the very concept of poetry itself that Glück has spent her occupation either defining and extending.

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Frank Bidart, “Louise Glück,” in Diehl, On Louise Glück, 23. 8. : Prentice Hall, 1968), 12–35. Glück is cited from “An Interview with Louise Glück,” in Diehl, On Louise Glück, 183. 9. Robert Lowell, “Epilogue,” in The Longman Anthology of Poetry, ed. Lynne McMahon and Averill Curdy (New York: Pearson Longman, 2006), 1291. morris text 9/27/06 7:35 AM Page 25 Imagining a Postconfessionalist’s Biography 25 that will, along with the death of her father, become a dominant theme in Ararat. She does, however, discuss the sister who “died before I was born” in another essay, “Death and Absence” (PT).

Averno (2006) covers similar ground, but the tone in the later work is much darker, more hopeless. Book-length sequences of related lyric poems such as Meadowlands and Vita Nova are in some respects “about” the conclusion of Glück’s marriage to John, and Ararat, which dealt with a family of three women in the aftermath of the death of a husband and father, is “about” Glück’s autobiographical experience of mourning the death of her father, Daniel Glück. The lyric voice she construes in the poems from these volumes is, however, as much a fiction of the self as are her vocalizations of flowers, weeds, and God in The Wild Iris.

Robert Lowell, “Epilogue,” in The Longman Anthology of Poetry, ed. Lynne McMahon and Averill Curdy (New York: Pearson Longman, 2006), 1291. morris text 9/27/06 7:35 AM Page 25 Imagining a Postconfessionalist’s Biography 25 that will, along with the death of her father, become a dominant theme in Ararat. She does, however, discuss the sister who “died before I was born” in another essay, “Death and Absence” (PT). In this essay, Glück connects her anorexia to her traumatic reaction to her sister’s death.

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