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By Chris Baldick

The Oxford English Literary heritage is the recent century's definitive account of a wealthy and various literary history that stretches again for a millennium and extra. each one of those groundbreaking volumes deals a number one scholar's thought of overview of the authors, works, cultural traditions, occasions, and the tips that formed the literary voices in their age. The sequence will enlighten and encourage not just every person learning, instructing, and learning in English Literature, yet all critical readers. This interesting new quantity offers a freshly inclusive account of literature in England within the interval prior to, in the course of, and after the 1st international battle. Chris Baldick areas the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce in the wealthy context of non-modernist writings throughout all significant genres, permitting "high" literary paintings to be learn opposed to the historical past of "low" leisure. taking a look way past the modernist forefront, Baldick highlights the survival and renewal of realist traditions in those many years of post-Victorian disillusionment. Ranging largely throughout mental novels, battle poems, detective tales, satires, and kid's books, the trendy circulate offers a special survey of the literature of this turbulent time.

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The Oxford English Literary History: Volume 10: The Modern Movement (1910-1940)

The Oxford English Literary historical past is the recent century's definitive account of a wealthy and various literary background that stretches again for a millennium and extra. every one of those groundbreaking volumes bargains a number one scholar's thought of evaluation of the authors, works, cultural traditions, occasions, and the tips that formed the literary voices in their age.

Extra resources for The Oxford English Literary History: Volume 10: The Modern Movement (1910-1940)

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Three pounds thirteen and six. Quietly he read, restraining himself, the first column and, yielding but resisting, began the second. [. ] It did not move or touch him but it was something quick and neat. Print anything now. Silly season. He read on, seated calm above his own rising smell. Neat certainly. Matcham often thinks of the masterstroke by which he won the laughing Witch Who now. Begins and ends morally. Hand in hand. Smart. He glanced back through 30 Elements what he had read and, while feeling his water flow quietly, he envied kindly Mr Beaufoy who had written it and received payment of three pounds thirteen and six.

Hull's The Sheik (1919), which was the basis of Rudolph Valentino's most famous starring role in Hollywood. Less often remarked, although it was an important publishing trend, was the exploitation of sequels, usually on the basis of the popularity of a well-recognized fictional character. This in turn was a symptom of a general hardening of generic categories (historical romance, detective fiction, schoolgirl stories) in the popular market, in response to patterns of demand recorded by the commercial libraries.

R. Leavis, and the Scott Moncrieff translation of Proust, and reprinted many of these in attractive pocket editions at 3 s. 6d. in their 'Phoenix Library' series. Jonathan Cape's distinguished list included Robert Graves's Good-bye to All That (192,9), T. E. Lawrence's Seven Pillars of Wisdom (193 5), the children's books of Arthur Ransome, and eventually the principal works of James Joyce. Like Chatto & Windus, Cape had, from 192,6, an extensive series of 35. 6d. pocket editions called the Travellers' Library.

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